Lets just call this, what I don't mind to expose you to, for now.... I'm sharp and pack a lot of venom. Let's see how much you can take. *******************************************************



Savateuse is a full-time Siren. Sea Witch. Nomad. Lover/Fighter. Chef. Writer.

 

Title: What are you afraid of?  Artist: Darla JacksonMedium: Gypsum CementSize: 7”h x 6”w x 7”dYear: 2005Second edition of 5 

Title: What are you afraid of?  Artist: Darla Jackson
Medium: Gypsum Cement
Size: 7”h x 6”w x 7”d
Year: 2005
Second edition of 5 

2004. Haunt. Porcelain, china paint, gilt. 24cm tall. Collection of The Paisley Museum, Scotland.
Shary Boyle
http://www.sharyboyle.com
2004. Haunt. Porcelain, china paint, gilt. 24cm tall. Collection of The Paisley Museum, Scotland.

Shary Boyle

http://www.sharyboyle.com

These true to life sized chocolate skulls are a solid 2.5 kilos of blended chocolate.  Their “bone chocolate” a blend of white and milk gives the dull ivory coloration of actual bone and is very delicious. 

http://www.chocolateskulls.com/

These true to life sized chocolate skulls are a solid 2.5 kilos of blended chocolate.  Their “bone chocolate” a blend of white and milk gives the dull ivory coloration of actual bone and is very delicious. 

http://www.chocolateskulls.com/

Discomedusae
2004
Transparent Rubber, copper tubing, light fixtures
Timothy Horn
cast silicone and fiber optics
Timothy Horn’s 7ft wide jellyfish chandelier the first in his medusae series,  was inspired by the aquatic illustrations of German zoologist Ernst Haeckel.   
www.timothyhorn.net

Discomedusae

2004

Transparent Rubber, copper tubing, light fixtures

Timothy Horn

cast silicone and fiber optics

Timothy Horn’s 7ft wide jellyfish chandelier the first in his medusae series,  was inspired by the aquatic illustrations of German zoologist Ernst Haeckel.   

www.timothyhorn.net

Used to decorate a temple in Taisho, Japan, this ceramic skull could have been made as late as the 1920s. One end of the snake has slunk into one of the skull’s eye sockets, while its other end seems to come out of the second eye hole, before retracting suddenly as the snake again springs out from its skull eye-socket.

Available to purchase from: 
http://www.busaccagallery.com

Used to decorate a temple in Taisho, Japan, this ceramic skull could have been made as late as the 1920s. One end of the snake has slunk into one of the skull’s eye sockets, while its other end seems to come out of the second eye hole, before retracting suddenly as the snake again springs out from its skull eye-socket.

Available to purchase from: 

http://www.busaccagallery.com